A kind of six word story, or it can be the start of a story.

Mommy, why did the elephant swear? 

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Nanowrimo ^.^

Wow, I can't believe that I forgot to tell you guys this. But this is my second year of doing Nanowrimo.
More info can be found here.

And I finally have a cover made for my nanowrimo book, Immortality Doesn't Exist. It was made by a very creative person on the main Nanowrimo forums. It's possibly, one of my favorite book covers ever, that was made for me. And, I find that it fits my book perfectly.

I would say what my book is about by now, but in truth I barely have any idea myself. Other than the fact that it deals with a darkness that wants to be... not so alone in life. It also deals with the fine line between dreams and reality. And how dreams are actually a reality that you have to face, no matter what.

An Award. ^.^

My friend Cossy from Endless Ramblings and a Fez, nominated me for the Liebster Blog Award. I've already received the award from my main blog but I like her questions so I'm going to do the blog award, anyways. 

Official rules: The Liebster Award are for bloggers with less than 200 followers. Award winners share 11 facts about themselves, answer the 11 questions asked by the blogger who tagged them, come up with 11 of their own questions and tag 11 more bloggers with the award.

11 facts about me. 

1. I'm surprised that I can write around 1613ish words each day. 
2. I finally have the book, Looking for Alaska by John Green. It was on sale at the library the other day for only a quarter, and it's a good book to read, so I bought it. 
3. I also bought two other books from the library, they are: Octavia Boone's BIG QUESTIONS About Life, the Universe, and Everything by Rebecca Rupp and Mare's War by Tanita S. Davis. 
4. I'm scared/excited [depends on the time and day you ask me] about going to high school. 
5. I'm taking all honors classes this year meaning, more work, and possibly less time to write. 
6. I'm planning on taking AP classes next year. 
7. I have a cat that likes to hang out by my bedroom window. 
8. I think The Fault in Our Stars by John Green is kind of like his other book, Looking for Alaska.
9. My desk is really messy right now. 
10. I'm taking a college math class this year, despite not liking math that much. 
11. I don't like math despite being pretty good at it, for fear of failing. 

In which, I now answer 11 questions asked from Cossy. 

1. If you could own a giraffe, what would you name it? I would name it Bob for lack of a better name to choose from. 
2. Your best friend in the entire world gave you a rock for your sixteenth birthday. No joke, totally the intended present. How do you react? I would be polite and say, "Umm... thanks, I really like it."
3. Why did you start a blog? If I recall, I started this blog because around this time last year, I got an idea to write one story each time I have school. And it worked before Nanowrimo came, making this blog into a writing blog. 
4. What's your favorite food? Any kind of noodles, especially Asian or Raman Noodles. 
5. Can you cook cantilope? I think it can be cooked, but I certainly can't cook it. 
6. Do you know how to spell cantilope, cause I don't. C-a-n-t-u-l-a-p-e, C-a-n-t-o-l-u-p-e, Nope, I don't know how to spell it. 
7. Did you know cantaloupe is spelled like C-A-N-T-A-L-O-U-P-E? Huh, who knew? 
8. Would you ever consider becoming a lawyer? Nope, I don't have the arguing or the speaking skills to do it. However, my older sister is on her way to becoming a lawyer, that is if she enters law school first. 
9. Have you ever had a dream where you went to a public place in just your underwear? I'm pretty sure, I never had dreams like that. 
10. What is your weirdest dream? I have too many weird dreams to count, but the weirdest would be... I don't even know. 
11. How are you? I'm good how are you? 

11 questions asked by me. 

1. What is on your bucket list? (Things you want to do before you die)
2. If you had to have lunch with any fictional character(s) excluding yours, who would it be and why? 
3. What would you name a newly formed star and why? 
4. What is your opinion on the whole, world is about to end thing? 
5. What book would you want to see on the big screens and why? 
6. If you're a writer: Do you talk to your characters? If you're not a writer: Did you have imaginary friends when you were younger? 
7. Name one thing that you're extremely proud of. 
8. What is your happiest moment in life? 
9. What is your favorite country and why? 
10. Can you type out the word, supercalifragilisticexpialidocious, with your eyes closed? 
11. Why are you answering these questions? 

People I tag. 

Anyone with under 200 followers. 

So, if you have under 200 followers you can take this award, if you want. Or you can carry on in your day. 

See ya later, 

A quoteful kind of day

Click to enlarge. 

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Beautiful People ~ Echo

“Respect your characters, even the minor ones. In art, as in life, everyone is the hero of their own particular story; it is worth thinking about what your minor characters’ stories are, even though they may intersect only slightly with your protagonist’s.”

Sarah Waters

Beautiful People, is a blog event created by two people: Sky and Georgie. They post ten questions each month, for you to answer about your character[s]. So you can know more about them. This is helpful if you want a well-developed character people can relate to, in a way.

I’ve seen it around a few blogs a couple of times and looked at the questions once or twice. It wasn’t until now that I’ve decided to do the writing meme. The only reason why I wanted to do it was because I’m bored and I want to get to know my Camp NaNoWriMo characters better. Plus, I’m quite curious about what their favorite color/book/flower/etc is.  

For this month, we got to choose our own questions by either making up our own or using a set of past questions that were already used in their archive, because Sky and Georgie were busy over the summer. So I decided to use the very first set of questions that they posted, considering that, I’m new to the whole thing. So without further ado, ladies and gentlemen, here is the first character.

Quick info on the story world: In the year 2200, America is literally silent. You get rich for having no words come out of your mouth but if you talked you go into poverty. The chitchats* are tired of it so some of them starts riots while others slip in and join the tawel** community determined to break down the silent system on the inside. Meanwhile, the tawels are also doing the same thing; trying to break the chitchat’s system down by sending some of their own to join the chitchats community. So it’s a constant war between those two using technology that are far too advanced than our modern ones and something else, something quite wrong.

1. What is their full name? Echo’s full name is Anastasia Amsel, but she would rather be called Echo.
2. Does his or her name have a special meaning? Echo’s real name Anastasia doesn’t have much meaning other than the fact that her parents wanted to name their daughter after royalty. Her nickname has special meaning though, from Echo repeating questions and phrases back instead of answering them.
3. Does your character have a methodical or disorganized personality? That’s a hard question considering that I don’t know Echo that much, but if I had to guess, her personality would be somewhere in between. She breaks down at night when no one is watching but during the day she’s kind of snarky but she hides it by being charming especially with this certain guy. ;)
4. Does he or she think inside themselves more than they talk out loud to their friends? (more importantly, does he or she actually have friends?) It depends on the friend but she is more likely to think to herself than to actually talk out loud.
5. Is there something he or she is afraid of? The two things that I can think of right now are spiders and her mom. She’s afraid of spiders because they’re small and can easily crawl up your leg without you noticing it. She’s afraid of her mom because of certain reasons but she’s angrier with her mom than scared because of the things that she did in the past.
6. Does he or she write, dream, dance, sing, or photograph? Out of the choices listed here, Echo is more likely to dream than dance, sing, write, or take pictures. However, her dreams are more nightmarish than the happy, odd, and/or normal dreams.
7. What is his or her favorite book? (or genre of books) She doesn’t really read but she likes to look over the latest fashion magazine.  
8. Who is his or her favorite author and/or someone that inspires him or her? She doesn’t have much people that really inspire her but one of them would include a girl named Lana (a tawel).
9. Favorite flavor of ice cream? She likes this zebra striped ice cream that has blackberries and vanilla in it.
10. Favorite season of the year? Echo really likes autumn because of the slight chill in the air and the need to wear jackets that aren’t too heavy or too light.

Well that’s it, also if you want to know what Echo looks like go here. The drawing was drawn by fudgemonkey from the YWP Nanowrimo forums.

*Chitchats – People who talk.

**Tawel – People that is quiet. (The name may change)

More Writing Quotes~

source: facebook

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Camp Nanowrimo ~

Camp NaNoWriMo (National Novel Writing Month) - A writing event that is like NaNoWriMo only it is held in the summer months of July and/or August. It is where you try to write 50 thousand words in a single month.


Today is day four of Camp NaNoWriMo, and today I'm supposed to have about... 6452 words according to the calendar that I made.

(Click for a larger version)
And right now, I currently have about 8,061 words. It's not a lot for those who has done Nanowrimo before, but it's a lot to me. I'm pleased with myself for even having that much words in just a short amount of time, considering that I've never tried to write 50 thousand words before.



And Camp Nanowrimo or plain old Nanowrimo lets you do that. Just write fifty thousand words of your novel (or poetry, or script, or whatever), without really worrying about what is going on the page. It's nice because the book that you have been wanting to write for years is now suddenly out on paper free from your  head. So if you love writing and want a book that was written by you, then I recommend doing Nanowrimo, and if you're a bit impatient and want to start now, then start now. It isn't too late to join Camp Nanowrimo, though you'll have a lot of words to catch up on.

Difference between a writer and an author

Writing has nothing to do with publishing. Nothing. People get totally confused about that. You write because you have to - you write because you can’t not write. The rest is show-business. I can’t state that too strongly. Just write - worry about the rest of it later, if you worry at all. What matters is what happens to you while you’re writing the story, the poem, the play. The rest is show-business.

Peter S. Beagle

In other words, being a writer is just about writing the story and having fun. While being an author is just about writing stories and getting paid to do it. 

Introducing characters ~ DON'T

A story without characters isn’t a story. There has to be at least one character, be it a person, animal, plant, alien, or mountain.

With that said, however, your characters can’t just randomly poof into the story (… unless they really do poof), or be treated as if they’ve been there since before the beginning.

• Poof! Here’s my 10-page biography 

“Let’s go get some cake,” Mark said.

Jenny also wanted to tag along. Jenny was a really nice girl, with really long chocolate brown hair and the smoothest skin I’ve ever seen. Her parents were divorced, but she was still a really happy kid. She’s shorter than me, but last year she was taller. Jenny’s also terrified of moths and grasshoppers because of an incident when she was little. When she was five…

We had never met Jenny, but that paragraph is too much for a first meeting. Going to get cake with someone new doesn’t mean you should proceed to give their life story. When you first introduce a character, I would suggest giving their name, their relation to the main character/narrator, and a few thoughts and opinions about them. We don’t have to learn about Jenny all at once, but by the time the story’s finished (and as long as she’s not a purposely-mysterious character or someone who was met within the last fifty pages) Jenny should be a close acquaintance to us.

• You’ve known me since birth

So after that example you’re understanding what I meant here, right? I think I explained it pretty well, and we’re on the same page, so let’s continue with our story.

Yes, the ‘You’ve known me since birth’ character is what I’d say to be the complete opposite of the ‘Poof! Here’s my 10-page biography’ character. If this one is the narrator’s best friend, you’ll be lucky to know their name. It’s very likely that you won’t know they’re the narrator’s best friend. It’s a confusing character because the readers are the only ones who don’t know. Every other character knows this guy (let’s call him Adam) Adam, so no one feels any inclination to shed some light on him, and it takes a very long time to learn whether or not he’s the school janitor or the president of the drama club (or both?). 

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Another Challenge

CHALLENGE

I dare you to write 750 words every day for the next seven days. Just go to 750words.com, make an account, and just write. No matter what don't stop writing. Then after a week is done, report back here and comment below on how it went. Or if you want you can email me how your 750 words experience, at thehungergamesmockingjay[at]gmail[dot]com

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10 Rules for Writers, Janet Fitch's style.

1. Write the sentence, not just the story 

Long ago I got a rejection from the editor of the Santa Monica Review, Jim Krusoe. It said: “Good enough story, but what’s unique about your sentences?” That was the best advice I ever got. Learn to look at your sentences, play with them, make sure there’s music, lots of edges and corners to the sounds. Read your work aloud. Read poetry aloud and try to heighten in every way your sensitivity to the sound and rhythm and shape of sentences. The music of words. I like Dylan Thomas best for this–the Ballad of the Long-Legged Bait. I also like Sexton, Eliot, and Brodsky for the poets and Durrell and Les Plesko for prose. A terrific exercise is to take a paragraph of someone’s writing who has a really strong style, and using their structure, substitute your own words for theirs, and see how they achieved their effects.

2. Pick a better verb 

Most people use twenty verbs to describe everything from a run in their stocking to the explosion of an atomic bomb. You know the ones: Was, did, had, made, went, looked… One-size-fits-all looks like crap on anyone. Sew yourself a custom made suit. Pick a better verb. Challenge all those verbs to really lift some weight for you.

3. Kill the cliché. 

When you’re writing, anything you’ve ever heard or read before is a cliché. They can be combinations of words: Cold sweat. Fire-engine red, or phrases: on the same page, level playing field, or metaphors: big as a house. So quiet you could hear a pin drop. Sometimes things themselves are cliches: fuzzy dice, pink flamingo lawn ornaments, long blonde hair. Just keep asking yourself, “Honestly, have I ever seen this before?” Even if Shakespeare wrote it, or Virginia Woolf, it’s a cliché. You’re a writer and you have to invent it from scratch, all by yourself. That’s why writing is a lot of work, and demands unflinching honesty.

4. Variety is the key. 

Most people write the same sentence over and over again. The same number of words–say, 8-10, or 10-12. The same sentence structure. Try to become stretchy–if you generally write 8 words, throw a 20 word sentence in there, and a few three-word shorties. If you’re generally a 20 word writer, make sure you throw in some threes, fivers and sevens, just to keep the reader from going crosseyed.

5. Explore sentences using dependent clauses.

A dependent clause (a sentence fragment set off by commas, dontcha know) helps you explore your story by moving you deeper into the sentence. It allows you to stop and think harder about what you’ve already written. Often the story you’re looking for is inside the sentence. The dependent clause helps you uncover it.

6. Use the landscape. 

Always tell us where we are. And don’t just tell us where something is, make it pay off. Use description of landscape to help you establish the emotional tone of the scene. Keep notes of how other authors establish mood and foreshadow events by describing the world around the character. Look at the openings of Fitzgerald stories, and Graham Greene, they’re great at this.

7. Smarten up your protagonist. 

Your protagonist is your reader’s portal into the story. The more observant he or she can be, the more vivid will be the world you’re creating. They don’t have to be super-educated, they just have to be mentally active. Keep them looking, thinking, wondering, remembering.

8. Learn to write dialogue. 

This involves more than I can discuss here, but do it. Read the writers of great prose dialogue–people like Robert Stone and Joan Didion. Compression, saying as little as possible, making everything carry much more than is actually said. Conflict. Dialogue as part of an ongoing world, not just voices in a dark room. Never say the obvious. Skip the meet and greet.

9. Write in scenes. 

What is a scene? a) A scene starts and ends in one place at one time (the Aristotelian unities of time and place–this stuff goes waaaayyyy back). b) A scene starts in one place emotionally and ends in another place emotionally. Starts angry, ends embarrassed. Starts lovestruck, ends disgusted. c) Something happens in a scene, whereby the character cannot go back to the way things were before. Make sure to finish a scene before you go on to the next. Make something happen.

10. Torture your protagonist.

The writer is both a sadist and a masochist. We create people we love, and then we torture them. The more we love them, and the more cleverly we torture them along the lines of their greatest vulnerability and fear, the better the story. Sometimes we try to protect them from getting booboos that are too big. Don’t. This is your protagonist, not your kid.

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A repeat

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Famous Author Quotes ~

CHALLENGE

Write a story or a poem based off of any picture that you find on my blog. 

Then email it to thehungergamesmockingjay[at]gmail[dot]com for a chance to have it featured on this site.

When does it expire? Never

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WRITE

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Synonyms

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Use them and your writing won't sound boring. 

Show don't tell

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Read this to the end because it will definitely help you on how to show not tell. 
Secret paragraphing
How to show not tell

A school I would definitely go to.

If there was a school for writers

How to torture/kill in the saddest ways your favourite characters - with Suzanne Collins.
How to be a complete troll about your plot - with Rick Riordan.
How to be the most cruel, harsh, sadistic and violent writer on Earth - with Michael Grant.
How to give your characters the most revolting and traumatic past - with J. K. Rowling.
How to ascend from a funcking fanfiction writer to a fucking best-seller writer - with Cassandra Clare.
How to have the most crazy, deep and lush metaphors (which don't need exactly to have meaning or sense) - with Tahereh Mafi.
How to have the mad and non-sense ideas to books, but make them best-sellers - with Scott Westerfeld.
How to be a boss - with Neil Gaiman.
How to make the funcking reader cry a fucking ocean in three words - with Nicholas Sparks.
How to have the best and most creative narrative of the books - with Markus Zusak.
How to write teenage stories without being disgusting - with Meg Cabot.
How to create characters so human that you believe they are real - with John Green.
How to be shit and pretend you are good - with Stephenie Meyer.
How to create the most perfect male in the whole universe and tell everyone he's not based on a real character - with Veronica Roth
How to break everyones hearts with your first book and then put the pieces back together with the second - Gayle Forman

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More links that you'll find useful

Rules for writing fiction

Authors telling you their rules for writing fiction. 

Part I
Part II

Seven things that will doom your novel. 

There are seven things you shouldn't do to your novel and that includes quitting, so here are ways to avoid them.

What is the difference between the prologue, introduction, and the first chapter? 

A writer that has the answers to your question about beginnings. 

Mistakes that you can make on the first page. 

There are about thirteen mistakes that you can make on the first page alone so read the link so you can avoid them.

Have a great summer

Songs

Float

Through

The

Air

In

Undisturbed

Amounts

This

Sunny

Day

What people shouldn't say to writers.

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Whisper Synonyms

Instead of whispered, consider:

• murmured
• mumbled
• muttered
• breathed
• sighed
• hissed
• mouthed
• uttered
• intoned
• susurrated
• purred
• said in an undertone
• gasped
• hinted
• said low
• said into someone’s ear
• said softly
• said under one’s breath
• said in hushed tones
• insinuated

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Something that I have control over

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Authors insulting other authors

Virginia Woolf on James Joyce: [Ulysses is] the work of a queasy undergraduate scratching his pimples.

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Harold Bloom on J.K. Rowling: How to read ‘Harry Potter and the Sorcerer’s Stone’? Why, very quickly, to begin with, and perhaps also to make an end. Why read it? Presumably, if you cannot be persuaded to read anything better, Rowling will have to do.

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H. G. Wells on George Bernard Shaw: An idiot child screaming in a hospital.

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Ralph Waldo Emerson on Jane Austen: Miss Austen’s novels . . . seem to me vulgar in tone, sterile in artistic invention, imprisoned in the wretched conventions of English society, without genius, wit, or knowledge of the world.

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William Faulkner on Ernest Hemingway: He has never been known to use a word that might send a reader to the dictionary.

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Ernest Hemingway on William Faulkner: Poor Faulkner. Does he really think big emotions come from big words?

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W. H. Auden on Robert Browning: I don’t think Robert Browning was very good in bed. His wife probably didn’t care for him very much. He snored and had fantasies about twelve-year-old girls.

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Mark Twain on Jane Austen: Every time I read ‘Pride and Prejudice,’ I want to dig her up and hit her over the skull with her own shin-bone.

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Truman Capote on Jack Kerouac: That's not writing, it's typing.

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Where to find more

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Bring words to life

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And since it is One Direction...

What does your character want?

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Just Write

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(click to enlarge) 

Just write, elves aren't going to do it for you, you know. 

Editing

I'm finally editing my book that I'm going to send to createspace using the code that I won from Nanowrimo. So I'm sorry if I won't be posting anything for a while. I really want the five free proof copies because it would be amazing to have my words become tangible. Unfortunately, the code expires on June 30, and I've been procrastinating on it a lot...

So off to work I go. Good luck on whatever you're working on. And I hope you have an amazing day.

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Six word story

"Fly," she whispered, so he did.

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Rare words

Are found here.
http://phrontistery.info/index.html

Synonyms for emotions

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10 words you need to stop misspelling

http://infinite-swag-blog.tumblr.com/post/12632854678

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Just click on it, because the pictures are slightly sick minded (no nudity I swear), but they're funny.

An example would be these two pictures taken randomly from the post

And this one isn't inappropriate or funny just plain useful. 

So please, please, please, please don't forget the space between a lot. It's not one word peoples! That's probably my one worst pet peeves, in this world. When people think a lot is one word, when it's actually two. 

How to create a character and their personality.

Article found here on SUPERHERO NATION.


1. Find a list of character traits. I would recommend using the list from  SN, there's plenty of them, trust me. Or if you want something more visual...

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2. Now choose a couple of traits that are noticeable in your character(s). It can be two positive traits and one negative traits, or two positive and negative traits, or two negative traits and one positive trait. Just make sure your character has at least one positive and negative trait. No one can be perfect or that bad either. Plus it makes your readers want to connect to your character if they find traits that are like theirs, if that makes sense. 

3. Now ask yourself why your character is like the traits you chose out for him/her. 

So, why? 

It's probably a bit more helpful if you read the original article, because it might make a bit more sense. 

Also don't forget to fill out a character questionnaire, that can be found here. I would suggest just filling out the first five questions, so you can know what your character would look like. But you can do all of them, if you want to. 

Also, you don't have to use that questionnaire, there are others out there in the world. That was just one that I remembered at the moment. 

23 writing quotes

The original article can be found here on WRITER'S DIGEST. And in no way am I associated with it at all (like the writing and the posting). Now enjoy.

“If you have a story that seems worth telling, and you think you can tell it worthily, then the thing for you to do is to tell it, regardless of whether it has to do with sex, sailors or mounted policemen.”
—Dashiell Hammett, June 1924

“The writing of a novel is taking life as it already exists, not to report it but to make an object, toward the end that the finished work might contain this life inside it and offer it to the reader. The essence will not be, of course, the same thing as the raw material; it is not even of the same family of things. The novel is something that never was before and will not be again.”
—Eudora Welty, February 1970

“You yearn to turn out a book-length, your typewriter is silently shrieking abuse, you are itching to go. First read! Read the work of top-notch writers in your field. They know how! Read first for entertainment, then reread for analysis. Soak yourself in their stuff—for atmosphere, color, technique.”
—Fred East, June 1944

“One thing that helps is to give myself permission to write badly. I tell myself that I’m going to do my five or 10 pages no matter what, and that I can always tear them up the following morning if I want. I’ll have lost nothing—writing and tearing up five pages would leave me no further behind than if I took the day off.”
—Lawrence Block, June 1981

“The trap into which all writers have, will, or should fall into, of writing The Great American Watchamacallit, is such an uncluttered and inviting one that from time to time I’m sure even the greatest have to pull themselves up short by the Shift key to remind themselves that it is story first that they should write.”
—Harlan Ellison, January 1963

“It’s like making a movie: All sorts of accidental things will happen after you’ve set up the cameras. So you get lucky. Something will happen at the edge of the set and perhaps you start to go with that; you get some footage of that. You come into it accidentally. You set the story in motion and as you’re watching this thing begin, all these opportunities will show up. So, in order to exploit one thing or another, you may have to do research. You may have to find out more about Chinese immigrants, or you may have to find out about Halley’s Comet, or whatever, where you didn’t realize that you were going to have Chinese or Halley’s Comet in the story. So you do research on that, and it implies more, and the deeper you get into the story, the more it implies, the more suggestions it makes on the plot. Toward the end, the ending becomes inevitable.”
—Kurt Vonnegut, November 1985

“Don’t expect the puppets of your mind to become the people of your story. If they are not realities in your own mind, there is no mysterious alchemy in ink and paper that will turn wooden figures into flesh and blood.”
—Leslie Gordon Barnard, May 1923

“If you tell the reader that Bull Beezley is a brutal-faced, loose-lipped bully, with snake’s blood in his veins, the reader’s reaction may be, ‘Oh, yeah!’ But if you show the reader Bull Beezley raking the bloodied flanks of his weary, sweat-encrusted pony, and flogging the tottering, red-eyed animal with a quirt, or have him booting in the protruding ribs of a starved mongrel and, boy, the reader believes!”
—Fred East, June 1944

“We writers are apt to forget that, as the gunsmoke fogs and the hero rides wildly to the rescue, although the background of this furious action is fixed indelibly in our own minds, it is not fixed in the mind of the reader. He won’t see or feel it unless you make him—bearing always in mind that you can’t stop the gunfight or the racing horse to do the job.”
—Gunnison Steele, March 1944

“Plot, or evolution, is life responding to environment; and not only is this response always in terms of conflict, but the really great struggle, the epic struggle of creation, is the inner fight of the individual whereby the soul builds up character.”
—William Wallace Cook, July 1923

“Plot is people. Human emotions and desires founded on the realities of life, working at cross purposes, getting hotter and fiercer as they strike against each other until finally there’s an explosion—that’s Plot.”
—Leigh Brackett, July 1943

“You can’t write a novel all at once, any more than you can swallow a whale in one gulp. You do have to break it up into smaller chunks. But those smaller chunks aren’t good old familiar short stories. Novels aren’t built out of short stories. They are built out of scenes.”
—Orson Scott Card, September 1980

“Don’t leave your hero alone very long. Have at least two characters on stage whenever possible and let the conflict spark between them. There can be conflict with nature and your hero can struggle against storm or flood, but use discretion. … You could write a gripping story about a struggle between a lone trapper and a huge, clever wolf. But the wolf is practically humanized in such a story and fills every role of villain. The wolf too wants something and does something about it. A storm doesn’t want anything and that’s why its conflict with man is generally unsatisfactory. It doesn’t produce the rivalry which is the basis of good conflict.”
—Samuel Mines, March 1944

“The first sentence can’t be written until the final sentence is written.”
—Joyce Carol Oates, April 1986

“The writing of a mystery story is more of a sport than a fine art. It is a game between the writer and the reader. If, once in a while, a really fine book comes out of this contest, that is good; but the game’s the thing. If, on Page 4, the reader knows that the soda cracker is spread with butter mixed with arsenic, and later on this is proven to be true, then the reader has won the game. If, however, when the reader finishes the book, he says, ‘I didn’t get it—all the clues were there, plain as who killed Cock-Robin, but I didn’t get it,’ then the author has won the game. The author has to play fair, though. He has to arrange his clues in an orderly manner, so that the reader can see them if he looks hard enough.”
—Polly Simpson Macmanus, January 1962

“Authors of so-called ‘literary’ fiction insist that action, like plot, is vulgar and unworthy of a true artist. Don’t pay any attention to misguided advice of that sort. If you do, you will very likely starve trying to live on your writing income. Besides, the only writers who survive the ages are those who understand the need for action in a novel.”
—Dean R. Koontz, August 1981

“What the young writer is looking for is not a critic who will slap him on the back and say, ‘Greatest thing since O. Henry,’ but rather the one who will toss the manuscript down in disgust, with ‘You know better than that! It’s rotten! Do it all over again!’”
—Henry Sydnor Harrison, March 1923

“Make your novel readable. Make it easy to read, pleasant to read. This doesn’t mean flowery passages, ambitious flights of pyrotechnic verbiage; it means strong, simple, natural sentences.”
—Laurence D’Orsay, October 1929

“When your story is ready for rewrite, cut it to the bone. Get rid of every ounce of excess fat. This is going to hurt; revising a story down to the bare essentials is always a little like murdering children, but it must be done.”
—Stephen King, November 1973

“Loving your subject, you will write about it with the spontaneity and enthusiasm that will transmit itself to your reader. Loving your reader, you will respect him and want to please him. You will not write down to him. You will take infinite pains with your work. You will write well. And if you write well, you will get published.”
—Lee Wyndham, November 1962,

“Genius gives birth, talent delivers.”
—Jack Kerouac, January 1962

“Long patience and application saturated with your heart’s blood—you will either write or you will not—and the only way to find out whether you will or not is to try.”
—Jim Tully, October 1923

Let's watch Despicable Me ^.^

[source]

Day 20 of the poem a day challenge



Let’s watch Despicable Me
With the three kittens
Supposedly ruining the
Unicorn’s life
Only to have it end up turning
His whole world around
The unicorn that was
Frowny and arrogant
Started to smile
As happiness and love
Starts to wriggle its way into
His heart
This first started at the amusement park
As one fluffy unicorn
Was waiting to be claimed
By a little kitten named Agnes
And from that moment on,
The unicorn was starting to play with the kittens
A bit more often
All the while trying to build a space ship
With a slightly jealous professor
Who does the unthinkable
While the nerdy rival tries to ruin his plan
One squid gun at a time